
10.02.97 Sydney, Australia, intro to ´Atlantic City´
´´Thank you....thanks, good evening....thank you, thanks, thanks
a lot, I´ve been in, uh....oh, (?) about a week and a half now and uh....yup,
been to the rain forest, seen the wallabies, had my picture taken ´neath
a kangaroo crossing sign....uh, held a koala bear, that was fun, kids get a
big kick out of that back home, fed a bush turkey an ice-cream cone, might´ve
broken a law there, I´m not sure....and I´ve sailed around the harbor,
bought quite a few of those little stuffed kangaroos, they´re very nice
and uh....almost drowned at Bondi Beach....uh....got back in off that sand-bar,
though, was alright and I suffered severe retinal distress at the same location
(chuckles) not, uh, I´m not quite over that one yet, unfortunately (chuckles)
uh, the only thing really that´s been puzzling me is I´ve been trying
to figure out who´s that kid who´s around town whose picture´s
on all the lightpoles, who´s been abducted by female aliens....and where
are those female aliens ?....if I´m abducted, I wanna be abducted by a
female alien (chuckles) but uh, my wife will be expecting me back (chuckles)
welcome to the show, enjoy yourself....”
10.02.97 Sydney, Australia, intro to ´Straight Time´
´´Thanks, this is a, uh....song about a fellow who gets out of prison
and uh....he´s trying to find his way....back into the world....now, I´ve
never been in prison but I´ve felt like it (chuckles) and I certainly
tried to find my way into the world....and uh, it´s also really, I guess
it´s about trying to learn how to be new, about trying to change your
old ways of doing things so you can find your place....some place you can live
with, that´s hard to do, I think all our old habits are how we know who
we are, how we recognise ourselves, even if they´re the worst of us or
the things that are gonna destroy us....so, uh....so learning how to do a little
straight time is not that easy....”
10.02.97 Sydney, Australia, intro to ´Highway 29´
´´This is a song about uh....insight, uh, paying the price for insight....I
have done that (chuckles) this is a song about, uh, sudden insight and uh, now
that is I very expensive, I always tell the folks, ´cause it only...unfortunately
it only comes after you´ve fucked up very badly so that´s (chuckles)
that´s when you´re given the gift of sudden insight, you see, some
sort of booby or consolation prize (chuckles)....a shoesalesman, sudden insight....this
is ´Highway 29´...”
10.02.97 Sydney, Australia, intro to ´Point Blank´
´´(someone yells ´Thunder Road´) Oh, I ain´t gonna
play that old bastard, I tell you....alright (chuckles)....”
10.02.97 Sydney, Australia, intro to ´The Wish´
´´Thank you....here´s a song that, uh....somebody requested
out back the other night, it´s a song I wrote for my mother and never
recorded....yeah....and the reason I never recorded it is complex because in
my business, the business of rock and roll singing about your mother is ....it´s
risky...that´s right....the, uh....that´s right but....cool police
get right on your ass.... that´s not cool....uh....really, it´s
a funny sort of thing, you can sing about screwing your mother, that´s
ok in my business....that goes down real good (chuckles) uh, it´s that
kind of thing I gotta deal with but uh....just singing about mom, that´s
sort of reserved for country music singers and gangsta rappers (chuckles) they
seem to have a free pass when it comes to that (chuckles) it´s kind of
strange when you think about it becaus, I mean, the greatest rock and roll singer,
of course, Elvis Presley, first thing, the first thing he ever recorded was
a song to his mother...but he never released it, you see (chuckles) so, uh.....´course
he may actually have always been singing about his mother, think about that
(chuckles) it´s possible (chuckles) well, uh....one of the great mother-lovers
of all time and uh....so anyway I´d like to, uh....sing this song for
my mother, that´s right, because real men, goddammit, love their mothers,
fuck the cool police ! (chuckles)....´course, I guess, also real men don´t
provide disclaimers either, do they ? (chuckles) anyway (chuckles)....”
10.02.97 Sydney, Australia, intro to ´Red Headed Woman´
´´Woh !....gonna move on now from mothers to another great song
about a great subject, cunnilingus, that´s right....I´m not sure
what the connection is but Freud, where are you ? (chuckles) and uh, I´ve
kind of been out on this tour promoting cunnilingus as best as I can and uh...uh,
from a distance, uh (chuckles) that´s right, I´ve been up in, uh,
I´ve been up in Brisbane and Queensland and I´m, I´m happy
to come down here and report that they are practising cunnilingus out there
(chuckles) that´s right, I wasn´t sure, the first night when I was
about to go out and I hadn´t played in Australia in a long time and I
said ´Gee, you know´, I, I had an Australian friend of mine was
there and I said ´I´m gonna sing a song about cunnilingus, you know,
is there an Australian term for that, you know ?´ and he looked at me
kind of puzzled, you know, and I said ´You know, cunnilingus, is there
an Australian term for that, is there like some sort of ?´, he says ´Hmmm,
they´re not gonna know what the fuck you´re talking about, mate´
(chuckles) so I, I said, I didn´t believe that, as I´ve been saying,
they don´t call it ´Down Under´ for nothing, you know (chuckles)
goddammit, that´s right....so, uh, I know, I guess, I have a few suggestions,
now, Sydney I believe is called ´The First State´ ? I´m gonna
suggest that you change the title to ´The Cunnilingus State´ if
you could (chuckles) and that, uh, along with the Opera House and the harbor,
I believe, that will have ´em flocking in, you know (chuckles) anyway,
I could go on about this (chuckles) uh, what do we know about cunnilingus ?
well, it´s not as easy as it looks, alright (chuckles) but like riding
a bicycle, once you get it down, even if you change bikes, the rules remain
the same ! (chuckles) alright, I think I´ll sing the song now....”
10.02.97 Sydney, Australia, intro to ´Two Hearts´ (following ´Red
Headed Woman´)
´´Oh, yeah....thank you, please, try that at home, alright (chuckles)
I always get the urge to just break into the Macarena there towards the end
(chuckles) it just comes over, I can´t stop myself (chuckles) I was telling
the folks the other night, you know, it´s one of those dances where sort
of when you see it, you go ´Oh, I can´t believe this´ and
then at night, you know, in front of the mirror...´I´ll be right
there, baby, I´m coming right in !´ (chuckles) um, tzaka, tzaka
(chuckles) woh, this is for my red headed woman....”
10.02.97 Sydney, Australia, intro to ´Born in the U.S.A´
´´(?)...there was this little park on the end of town, in the small
town I grew up in and it was just, just this beautiful little park where the
road forked....and I used to love to pass by it when we were, after being out
in the day with my folks ´cause it always felt like you were home again
and that was sort of how you recognised you were back in town....and all these
little white crosses on....and uh, to me they were just beautiful, you know,
I remember as I got older that there was something on....and I said ´Gee,
Mama, what´s on those crosses ?´, you know....she said ´Well,
those are the names of all....the men....who died in the wars from our town´....so....anyway,
if there´s any, uh....Australian Vets out there tonight....”
10.02.97 Sydney, Australia, intro to ´Dry Lightning´
´´This is a, uh....a song about men and women....uh, I was up about
four a.m last night, there was a movie on, Henry the 8th and His Six Wives....yiaks....and
uh....I was in the park the other day over by the Hyatt Hotel and uh, it was
nice, it was a beautiful day and it seems to be a place where a lot of people
go to get their picture taken after they just got married....so there´s
quite a bit of photography going on of, uh....married couples and then there
was a couple who obviously had been married quite a while ´cause they
were, uh, standing on the edge of the harbor there and the husband would point
to a boat and the woman would lift the camera to take a picture of that boat
and just as she got the camera to her eye, her husband would take the camera
and then take the picture....I saw him do it two or three times....it seemed
like grounds for a divorce to me.....but they seemed to be getting along pretty
good ....so, uh, my odyssey here is pretty, pretty simply summed up in this
area, didn´t write about men and women really for about 30 years....wrote
about men in cars....and I did very well with that (cheers) thank you (?) it
was just by happenstance, no, no plan involved and uh, then I wrote about men
in cars dreaming about women and driving by them and looking at them....and
that seemed to strike a nerve also (chuckles) uh, then finally I got to men
in cars with women, men and women in cars but not talking very much (chuckles)
that leads me to, this is a song about one of those relationships that almost
made it, didn´t quite, a lot of good stuff going, might´ve worked
out if you sort of hadn´t been so busy trying to fuck it up all the time,
you know (chuckles) the only thing I did find out about men and women was that,
uh, with men and women, ´almost´ never counts.... so this is called
´Dry Lightning´....”
10.02.97 Sydney, Australia, intro to ´Long Time Coming´
´´Thank you, thank you, this is, uh, sort of a....it´s a new
song, I hadn´t written a song like this really before, this is a happy
song, this song is (chuckles) and I´m a little wary of those because generally,
like I say, people don´t like ´em and they don´t sell so (chuckles)
but uh, but uh, this is a happy song and sometimes you gotta....dare to be happy
(chuckles) but not too much (chuckles)....this is called ´Long Time Coming´....”
10.02.97 Sydney, Australia, intro to ´Sinaloa Cowboys´
´´Thank you, this is, uh, this is Kevin Buell, everybody....the
man.....like I say every night, my guitar player, my financial advisor here
on the road, uh, he´s my guru, yogi teacher, uh, sexual advisor, uh, in
case I get stuck there, uh....does my taxes too (?)(chuckles) we wear a lot
of hats out here on the Tom Joad-tour but uh.....this is a song, the next four
songs are set in South, Southwestern part of the United States and uh.....I
was in Arizona about six years ago, I was in one of these little desert towns
and it´s sort of, uh, I have some friends of mine and we go out and drift
around for a while and uh....I was in a little motel, it was one of these little
four-corner towns where there´s a grocery store, a gas-station, a motel
and a bar....all the, uh, necessities for a human life to flourish (?)(chuckles)
and I was laying down, uh, I was in this little motel where, you know, you can
lay down at the end of your bed and if the door is open, you can reach out and
touch your car (chuckles) it´s, uh, and uh....(?) these two Mexican men
came in from the west, one was a young kid, (?) he was a little high, it was
late at night, other one was a fellow about my age and, uh....uh, came over
and started looking at our motorcycles and got talking that he had a younger
brother who died in a....Southern California motorcycle accident....I always
remembered....there was something in the way that he talked about his brother,
he talked about him, I don´t know, we sat there for 30, 40 minutes, I
guess....and I think I was just about to become a dad and you´re concerned
with the safety of the world, you know, and uh, real concerned about it and
you know that you don´t really have any control over it (?) so hearing
somebody talk about a loss like that stayed with me for a long time....I don´t
know how people put themselves back together or get the world to feel right
again....after something like that....but I was writing a song about two brothers
that get caught up in the Central California drug trade, Mexican gangs come
up out of Mexico and hire the migrant workers in the Central Valley in California
to work in the drug labs and they´re the ones that usually get busted
or, or killed and uh....it was a song of two brothers and I had this fellow´s
voice in my head when I was writing it so I dedicate this to, to him every night,
my mysterious friend whoever, wherever he may be....this is called ´Sinaloa
Cowboys´...”
10.02.97 Sydney, Australia, intro to ´The Line´
´´Thank you, this uh, the next song is set on San Diego....Mexico
border and uh, what you get in Southern California is you got a lot of young
guys that come out of the army and end up going to work for the border patrol,
the California border patrol, it´s a confusing job....I think, uh....it´s
uh, was a Mexican writer Carlos Fuentes who said that California was Mexico
till 1848 so the border sits there more like a scar....and, uh, it´s been
an issue that´s been so abused in the States for political purposes, you
know, there´s always, there´s always been people coming across the
border and risking their lives and risking freezing to death in the mountains
to do jobs that nobody else wants to do for a pay that nobody else will take
at the behest of American businesses and in return their kids would have the
chance of a little better education and they get some medical care if they were
ill but uh....anyway, this is about a young border patrolman...sort of caught
in the middle and trying to figure out where that line, where that line really
is....this is called ´The Line´....”
10.02.97 Sydney, Australia, intro to ´Balboa Park´
´´Thank you, this is a song about kids and uh....I waited quite
a while before I had any kids, I was telling the folks the other night that´s
why a lot of my friends had ´em first and uh, then people try to tell
you about how great that is and generally that, that just makes you sick, you
know what I mean, you don´t really know (?) all you can do is feign enthusiasm,
uh....then of course they have their kids and then that´s it, that´s
all they talk about, they bring ´em over and endless baby pictures and
detailed accounts of the first piss, the first shit, the first diaper coming
along, you know....and, and, you know, then they get a little older and they
bring ´em over and I lived alone for 30 years and I don´t like anybody
really touching my shit, you know, so....and that´s, you know, that´s
the business of children, you know, it´s to, uh....and you can´t
yell at somebody else´s kid because you´ll seem like an asshole,
you know (chuckles) so you gotta sit there and go (snickers quietly) you know
and ´Ooh, he´s got so much energy´....´Yeah, he´s
husky, a husky one, a husky one´ (chuckles) oh, man and then
you have your own and you get to seek your revenge (?) ´Tear the hell
out of the house´.... ´(?) the lamp, the lamp´ (chuckles)(?)
you know (chuckles) people always wanna know how your life changes, you know,
how your life changes most and I....I always say ´Well, kids, they got
a window onto the grace that´s in the world and uh, they bring that grace,
just ´cause they´re open, they bring it into your life and I think
that as long as we stay in touch with some of that grace, whatever that is,
whether you think of it as God´s presence or whatever you like to call
it but it keeps us connected to everything, you know, our jobs and with children,
that just blows through them and....and it blows into your life sort of like
a bonus, you know (chuckles) and uh....I think that gets harder to hold on to
on your own, you know, and as you get older, that´s why people, I always
say, seek out art and films and music and engage in, uh, uh, strange, unusual
sexual practises, you know (chuckles) to get that grace in their lives....but
this is a song, I guess in the end it´s sort of the parents´ job
ti, uh.....to protect that and to shepherd that, shepherd that grace, protect
that grace that they may, you know, grow in it....and uh, ´cause in the
end the world will do the rest, you know....so this is a song about kids that
don´t really, they don´t have anybody to do that for ´em,
you know, they don´t, they don´t have anybody to protect that....that
for them and uh, they end up, you know, lost just like you or I would be if
we were 12 or 13 or 14 and out on our own....´bout kids who come across
the border through Tijuana into San Diego and end up on this strip called Twelfth
Street, what happens when that grace goes unprotected....”
10.02.97 Sydney, Australia, intro to ´Across the Border´
´´Thank you, thank you, I grew up in a house where there wasn´t
a lot of books or talk about culture or what those things could do for you,
you know, it was, everybody was pretty busy just trying to keep afloat and make
a living, you know, and uh....the first thing that really had an impact on me
was my mother, when I was in a grammar school, was still a young, a young gal,
you know, really and she liked that rock and roll music and uh....she´d
have the radio on in the kitchen every morning....and I´d, uh, come down
and, uh, had my little Catholic school uniform on, you know, my tie and my little
green jacket, green pants and, and I felt bad and I didn´t wanna go to
school, you know (chuckles) and, uh, but we´d sit there with my sister
and I´d heard for about a half-hour before I went to school, there´d
be all these great records that would come, you know, through the Top 40-station.....and
they were records that seemed to be filled with, with such a sense of fun and
wonder and danger and sex and, uh, and silliness, uh, and after a while I started
to feel like there was a message I was hearing and it said ´There´s
a party going....you´re missing it, little boy....rip off those clothes
and don´t go to school´ (chuckles) you know, but, uh.....and that
party was actually the world outside, the world that you couldn´t imagine
beyond your little town but that was there waiting, you know, and sort of those
records were the first thing that gave me an idea that it existed, that a world
beyond the life of my mom and dad and my friends and what I saw every day was
possible, you know, and those records were shot through with possibility, you
know, and uh ....that lasted me such a long time and provided such a source
of inspiration and strength.... and uh, fun in my life....then I got a little
older and a friend of mine showed me John Ford´s Grapes of Wrath and that
sort of felt like the other side of the coin, for me, the other, other part
of the puzzle in a sense that if, if you can find your way into that world,
well, then what do you do, you know, what are your....uh, your responsobilities,
if that´s what you wanna call ´em, you know, what is there to be
done and uh....it was something in the book and the film, which really was just
a story about, in the end it was a story about the way people treat one another,
was a certain old-fashioned kind of heroism about the idea of risking something
that you had for an idea that was bigger than you....and that not only was that
worth doing but it unlocked some.....some door, I don´t know, I don´t
exactly know how to explain it but it was, there was a scene at the end of the
movie that sort of....that hit it on the head, you know, Tom Joad´s killed
a vigilante who´s killed a friend of his and the cops are coming and he´s
gonna have to leave his family....he has to tell his mother that after she´s
lost home and come thousands of miles that she´s gonna lose her son now....and
he steps into her cabin and he wakes her up....he touches her gently and says
´Mama, I gotta go now´ and they step out underneath these trees....and
uh, it´s a beautiful dark summer night and she says ´Well, Tommy,
I knew this day would come but how am I gonna know if you´re alive ? how
am I gonna know....if you´re, if you´re well ? will I ever see you
again ?´....and he says ´I don´t know, all I know´s
I gotta go out and kick around and see what´s wrong and see if there´s
anything I can do about it....and you´ll see me.....because I´ll,
I´ll be in that darkness that surrounds you when you´re sleeping....and
I´ll be in men´s voices when they´re yelling ´cause
they´re angry, they don´t have work, you´ll hear a little
bit of me there....and the way kids are laughing when they´re coming in
and they know that there´s food on the table and that they´re protected,
you´ll see me there, Ma´....and he disappears off into the night
and uh....the next day the Joads are heading north looking for work and the
father says ´What are we gonna do without Tommy ?´ and the mother
says ´Well, we´re gonna keep going´....so this is a song about
the things that keep people connected to one another and to themselves and how
without those things, it seems like that´s how you get lost out there
a little bit, how people fall back on love and faith and hope even after the
world reveals itself and deals its harshest blows....and hope against reason.....”
10.02.97 Sydney, Australia, intro to ´This Hard Land´ (following
´Blinded by the Light´)
´´That´s the song that explains why I never did any of them
psychedelics (chuckles) my mind was already reeling (chuckles) what the hell
was I thinking about writing that song ? (chuckles) I don´t know ! (chuckles)
ooh ! anyway, tonight, uh, before we came into Sydny, into Sydney, we were....uh,
contacted by some people that are doing some good work here in your town, it´s
the Sydney City Mission, they´ll be out in the lobby tonight, yeah.....and
uh, an organization that, uh, provide a wide, a wide variety of services for
the citizens in distress, homeless people, street kids, families in crisis,
they provide material aid, legal assistance, uh, some job training, counselling,
uh....(?) the Mission´s calling is, uh, they try to feed the hungry, they
try to help (?) poverty, combat injustice and (?)...so, uh, they´ll be
out there in the lobby tonight, they, you should check ´em out and learn
a little bit about ´em if you like and, uh, they certainly deserve and,
uh.....your support and uh, I wanna do this for the folks from the Sydney City
Mission that are here tonight....”
10.02.97 Sydney, Australia, intro to ‘There Will Never Be Any Other For
Me But You’
´´(?)(chuckles)....I´ll leave you tonight with a song that´s
a song about love, uh, the power of love, the mystery of love, uh, love is my
message, matter of fact I´m the love man so (chuckles)....only kidding,
alright (chuckles) so if anybody´s in love out there or if you´re
gonna get married, anybody out there gonna get married ? no ? oh, screw it,
and uh (chuckles) how about divor, any divorcees, getting divorced, yeah ? (someone
yells)(?) well, I´ll do this for you then (chuckles) and uh, the mysteries,
the vicissitudes, the swings, the arrows....ooh, it hurts (chuckles)....”
10.02.97 Sydney, Australia, intro to ´If I Should Fall Behind´
´´Thanks, I wanna thank everybody for coming out to the show, thank
you very much, you´ve been a great audience tonight, I had a hell of a
lot of fun (chuckles) thank you, thank you so much and uh....I always say thanks
for giving me the room to come out here and do this like this, uh, it means
a lot to me and it´s a gift that you give me and I appreciate it, thanks....here
we go....(starts snapping his fingers, people start clapping their hands) let´s
try the fingers, just, just the fingers, try the fingers, not the hands, the
fingers....Jesus Christ !....(people start snapping their fingers) yeah, alright,
here we go....”
Compiled by : Johanna Pirttijärvi